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	<title>Johanna Seggelke</title>
	<link>https://johannaseggelke.com</link>
	<description>Johanna Seggelke</description>
	<pubDate>Wed, 18 Feb 2026 11:38:43 +0000</pubDate>
	<generator>https://johannaseggelke.com</generator>
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		<title>Texas</title>
				
		<link>https://johannaseggelke.com/Texas</link>

		<pubDate>Mon, 18 Sep 2023 09:11:54 +0000</pubDate>

		<dc:creator>Johanna Seggelke</dc:creator>

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		<description>


	

	In Texas gibt es keine Bäume (There are no trees in Texas)
	


&#60;img width="1998" height="1080" width_o="1998" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1cecde0e4382dbbb277bdeecdf7e20823f33c68a6c48c60f3073584e7c9fa747/anna3.jpg" data-mid="244996227" border="0"  src="https://freight.cargo.site/w/1000/i/1cecde0e4382dbbb277bdeecdf7e20823f33c68a6c48c60f3073584e7c9fa747/anna3.jpg" /&#62;

	2026
	Documentary / Neo Western
ca 85 min I in productionShot on 16mm Kodak Film
	A fly film Productionwith Bayerischer Rundfunk and HFF MunichFunded by FFF Bayern
Johanna Seggelke (Director)

Paula Tschira (DoP)
Kirsten Wehr (Producer)
Anna Schütten (Sound Art)

Melanie Jilg (Editor)

Cornelia “Nelly” Böhm (Sound Design)

Maren Rommerskirchen (Title Design)

	This documentary western tells the story of the Black Forest landscape, which is associated with an idyllic world and deep forests. But how much of it is actually natural? And who decides what nature is anyway? The film follows four people in search of wilderness in the Black Forest, exploring how our ideas about nature arise — and what they reveal about ourselves.

Shot on 16 mm film, it combines poetic images with genre elements paying special attention to the sound design.


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		<title>RMBA</title>
				
		<link>https://johannaseggelke.com/RMBA</link>

		<pubDate>Wed, 18 Feb 2026 11:38:43 +0000</pubDate>

		<dc:creator>Johanna Seggelke</dc:creator>

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		<description>
	
	Reality Must Be Addressed
	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d80815400ba5b4957e5e576f67a8e718d33c1950222267c49ab12b380f4ebe59/RMBA_STILL_3.jpg" data-mid="244995440" border="0"  src="https://freight.cargo.site/w/1000/i/d80815400ba5b4957e5e576f67a8e718d33c1950222267c49ab12b380f4ebe59/RMBA_STILL_3.jpg" /&#62;

	2021
	Documentary53 min I English with SubtitlesDOK Leipzig 2021
Streaming via truestory.film


	Johanna Seggelke (Director/DoP)Vi R. Spengler (DoP)Marie Zrenner (Editor)Nelly Böhm (Sounddesign)Silvius Sonvilla (Original Score)

 

	A chance acquaintance turns into a relationship that shimmers in all the colours of love. Between Marmite toasts, joints, selfies and music two young girls who meet on a roadtrip through Southafrica explore each other inside out. But what happens when the journey ends? (64. DOK Leipzig)</description>
		
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		<title>Bibi</title>
				
		<link>https://johannaseggelke.com/Bibi</link>

		<pubDate>Mon, 18 Sep 2023 10:51:01 +0000</pubDate>

		<dc:creator>Johanna Seggelke</dc:creator>

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		<description>
	
	Bibi Must Go (Elefantin)
	



&#60;img width="1276" height="716" width_o="1276" height_o="716" data-src="https://freight.cargo.site/t/original/i/e98a484582155d2113f94f2bb1d7acf237321838ac447e533a2187bb3453f5bc/elefantin.png" data-mid="191103456" border="0"  src="https://freight.cargo.site/w/1000/i/e98a484582155d2113f94f2bb1d7acf237321838ac447e533a2187bb3453f5bc/elefantin.png" /&#62;


	2020
	Hybrid documentary30 min I German with engl. subtitlesDOK Leipzig German Competition 2020FID Marseille 2021

Streaming via dafilms.com


	with Jakob d´Aprile and Jeanette Spassova
Johanna Seggelke and Marie Zrenner (Co-Directors)

Oliver Buchalik (DoP)
Melanie Jilg (Editor)
Andreas Goldbrunner (Sounddesign)
Nils Wrasse (Original score)
Lily von Wild (Costume design)



	The biography of the female elephant Bibi, who is considered to display abnormal behaviour, is marked by misfortunes. On the basis of an empathic reappraisal of these traumatic events the film reflects on the significance of social issues and how to deal with exclusion today: a therapy by proxy on film that will hopefully have a long-distance healing effect on Bibi. (63. DOK Leipzig)


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		<title>Video Art</title>
				
		<link>https://johannaseggelke.com/Video-Art-1</link>

		<pubDate>Wed, 18 Feb 2026 11:25:22 +0000</pubDate>

		<dc:creator>Johanna Seggelke</dc:creator>

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		<description>

	The taste of life (Der Geschmack des Lebens)
	
	


	
&#60;img width="4488" height="1772" width_o="4488" height_o="1772" data-src="https://freight.cargo.site/t/original/i/aeca66365951f9f6155f7aafd2bab04e3432cfe8c5524b046e818195b1fe23a8/Still_3_GDL.png" data-mid="244995342" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/aeca66365951f9f6155f7aafd2bab04e3432cfe8c5524b046e818195b1fe23a8/Still_3_GDL.png" /&#62;

	1979/2019
	2 channel videoinstallation30 min &#124; German with engl. subtitles

on display at Galerie der Künstler from October 10, 2023 (Videodox Festival)


	Johanna Seggelke and Carlotta Wachotsch (Co-Directors)Jan Godde (sounddesign remake)Harun Farocki (original director)Johannes Behringer (original sound)With kind support from Harun Farocki Institut Berlin



	Is there something about a place that ensures that people move around in it in a similar way, without being aware of the place’s past? In the summer of 1979, Harun Farocki roams the streets of West Berlin with a 16mm camera to capture images that reflect the “taste of life”. He films everyday scenes that happen in this or a similar way every day. Some 40 years later, we discover Farocki’s film, and go in search of its locations. Once seemingly chosen at random, now painstakingly researched. 
In the end, we find ourselves in the same place, and the past time seems to vanish into thin air. The remake is not one in the classical sense in that it is not meant to stand without its original, but enters into a dialogue with it. As a 2-channel video installation, we invite you to either to watch one of the two directions, or to discover the parallels in the narrative that chance has created.
A project in cooperation with Antje Ehmann and the Harun Farocki Insitut.
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		<title>About</title>
				
		<link>https://johannaseggelke.com/About</link>

		<pubDate>Mon, 18 Sep 2023 09:11:56 +0000</pubDate>

		<dc:creator>Johanna Seggelke</dc:creator>

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		<description>Johanna Seggelke&#38;nbsp;(*1996)
Works as a director, cinematographer and video artist and has been studying documentary filmmaking at University of Television and Film Munich since 2017. Her hybrid and documentary films were featured at several international film festivals including DOK Leipzig and FID Marseille. She is a founding member of the film magazine Revü – Flugblatt für Film. 

She is currently working on the video design for “Eurydike&#38;amp;Orpheus” at the Munich Kammerspiele, which will premiere in April 2026, as well as on her documentary film “In Texas gibt es keine Bäume” (There Are No Trees in Texas), which is scheduled for release in 2027.︎&#38;nbsp;︎</description>
		
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		<title>Friends </title>
				
		<link>https://johannaseggelke.com/Friends</link>

		<pubDate>Mon, 18 Sep 2023 11:23:40 +0000</pubDate>

		<dc:creator>Johanna Seggelke</dc:creator>

		<guid isPermaLink="true">https://johannaseggelke.com/Friends</guid>

		<description>Friends and Collaborators

Revü Magazine
Carlotta Wachotsch
Marie Zrenner
Paula Tschira
Mila Zhluktenko
Daniel Asadi Faezi
Cornelia Böhm
Melanie Jilg
Kristina Kilian
Tobias Blickle
Nina Wesemann
fly film</description>
		
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